穴太衆 高めよう徳島！ふるさとの四大青徳島古事記研究会会長 立石量彦氏 近江の石垣築成者穴太衆
https://dl.ndl.go.jp/pid/6062576/1/11
参照：
穴太衆 高めよう徳島！ふるさとの四大青徳島古事記研究会会長 立石量彦氏 近江の石垣築成者穴太衆
「穴太衆」伝説の石積み技を継ぐ末裔に立ちはだかる壁とは
《31:46 そこで彼らは石を取り、石塚を作った。…48…「この石塚は、きょう私とあなたとの間の証拠である。」》
| ד וַיֹּאמֶר לָהֶם יַעֲקֹב, אַחַי מֵאַיִן אַתֶּם; וַיֹּאמְרוּ, מֵחָרָן אֲנָחְנוּ. | 4 And Jacob said unto them: 'My brethren, whence are ye?' And they said: 'Of Haran are we.' |
kb
כ
כב
アナーはヘブライ語で証しをするという意味。
もしくは
アヌ、アノはヘブライ語で私達の意味
| アヌ、アノ | אנו | anu | 私達 |
מט וְהַמִּצְפָּה אֲשֶׁר אָמַר, יִצֶף יְהוָה בֵּינִי וּבֵינֶךָ: כִּי נִסָּתֵר, אִישׁ מֵרֵעֵהוּ.
31:50
נ אִם-תְּעַנֶּה אֶת-בְּנֹתַי, וְאִם-תִּקַּח נָשִׁים עַל-בְּנֹתַי--אֵין אִישׁ, עִמָּנוּ; רְאֵה, אֱלֹהִים עֵד בֵּינִי וּבֵינֶךָ.
נ אִם-תְּעַנֶּה אֶת-בְּנֹתַי, וְאִם-תִּקַּח נָשִׁים עַל-בְּנֹתַי--אֵין אִישׁ, עִמָּנוּ; רְאֵה, אֱלֹהִים עֵד בֵּינִי וּבֵינֶךָ.
, עִמָּנוּ;
、 私達と一緒に;
マヌ
מָּנוּ;
私たちから
の意味
創世記
《31:46 そこで彼らは石を取り、石塚を作った。…48…「この石塚は、きょう私とあなたとの間の証拠である。」》
אנו בכ
アニはアラム語？
bukはさまよう
hukは持って行く
穴太衆（あのうしゅう） 粟田純徳（あわたすみのり）
https://freeassociations2020.blogspot.com/2023/03/blog-post_64.html
https://www.blogger.com/blog/post/edit/102781832752441205/4499783456265402673
(漫画)日本語とヘブライ語のとんでもない共通点を漫画にしてみた【都市伝説】
(漫画)日本語とヘブライ語のとんでもない共通点を漫画にしてみた【都市伝説】
https://freeassociations2020.blogspot.com/2023/01/blog-post_11.html
ジャンケンポン（隠して、準備して、来い）
ねぶたのラッセーラッセーラッセーラ（動かせ・動かせ・高きへ進め）
相撲のハッケヨーイノコッタ（投げつけよ、やっつけよ、打ち破れ）
古事記のアナニヤシ エヲトコヲ（私は結婚する素晴らしい男性と）
登山のヤッホー（神よ）
ヨイショ（神よ助けて）
天狗、カッパの様相も…
セム語系のアラム語、アムハラ語も調べたい
https://ameblo.jp/ppap369/entry-12397810666.html
阿波踊りでは、「ヤットサー」という
掛け声を発するらしいが、
これを古代ヘブライ語で解釈すると、
「ヤットー（ＩＹＴ｀）」とは、
「ヤハウエ神、装わせ給えり」で、
「サー」は、「主権者」という意味、
「ヤット・サー」は、
「主であるヤハウエ神のお陰」という
感謝の意味をもつらしい。
だから、「ヤットサー」は、
「神様ありがとうございます」という感じ？
古代イスラエル
英字幕
淡路島／＼諏訪大社
ゲゼル＿＿＿＿／天壇＼＿＿＿＿ モナリザ
藁算＼ ／ 羌族 ＼ ／百人一首
日航機＼／ エチオピア＼／邪馬台国阿波説
ケネディ／＼ナニャドヤラ／＼香川ヨシ子
ＭＭＴ／＿＿＼＿沖縄＿／＿＿＼穴太衆
ゾンバルト ＼稲荷／ ケンペル
管仲 孔子＼／神武天皇
ピラミッド
ボーヴァル
| アヌ、アノ | אנו | anu | 私達 |
אני נשוי אני נשואה ユダヤの結婚式 日本の神話の古事記との類似性
| ||||||||||||||||||||||||
遺伝子
https://freeassociations2020.blogspot.com/2023/03/2011_27.html
https://twitter.com/tiikituukahana/status/1640383173644390400?s=61&t=ZK006HxRcaMzh41qZ48Npw
サムライ ウォール －NHKオンデマンド アメリカ南部テキサスに日本の城をほうふつさせる石の壁が姿を現わした。手掛けたのは日本の職人・粟田純徳（あわたすみのり）。戦国時代から全国各地に城壁を築いてきた職人集団「穴太衆（あのうしゅう）」日本のたくみの技…
https://www.nhk-ondemand.jp/goods/G2020105325SA000/?spg=P202000205100000
| ||||||||||||||||||||||||
[Applause] in the war-torn 16th century the most powerful samurai was oda nobunaga.
he commissioned local masons to use rocks to construct an elaborate fortress on a mountain
（the major mason guild the anoshu of sakamoto traveled across japan to build castle walls.）
Koriyama Castle
Nara Prof.
15th generation stone mason suminori awata is leading the project
[Music] when awata receives a commission he heads first to a quarry.
he intensely observes the stones for him this is the most critical part of the entire process.
after some time he starts his selection he memorizes the characteristics of each rock then simulates their stacking.
he's drawing up a blueprint in his head.
then i'll think of which to put next to it when i've selected all the stones about 60 or 70 percent of my work
is done then i only need to stack them.
Shiga Pref.
（this town near kyoto was once the base of castle wall craftsmen called anoshu
[Music] awata was raised here.）
well a typical example of our stone layout is a composition with big stones
like this one and medium small ones
we arrange them in an even balanced way this is the signature of anushu style.
（his grandfather makizo）
wherever they want to go he said that very often
he also said there are different types of people big people small people all kinds of
people make up the world
building a stone wall is exactly the same you see a harmony there big rocks
（small rocks every rock has a role not one of them is useless or worthless.)
i think it's exactly the same in the world.
（…american mason kyle schlagenhof has volunteered to work with awata.
the two met when awata and his father junji were invited to a workshop in california.
their techniques captivated him.）
the most surprising thing to me was um suminori-san and junji-san's um
ability to understand this the space the stone filled and how they
could pick a stone from out in the yard and bring it over the end it would fit!
wow that's amazing!
Sumoto Castle
Hyogo Pref.
My grandfather worked on this wall.
The important thing is to always do your best.
Okay.
[Applause] in the war-torn 16th century the most
powerful samurai was oda nobunaga.
he commissioned local masons to use rocks to construct an elaborate fortress on a mountain
the major mason guild the anoshu of sakamoto traveled across japan to build castle walls.
Koriyama Castle
Nara Prof.
15th generation stone mason suminori awata is leading the project
（using just a pry bar he deftly adjusts the boulders
through 40 years of experience he has cultivated an innate awareness of space.）
[Music] when awata receives a commission he heads first to a quarry.
he intensely observes the stones for him this is the most critical part
of the entire process
after some time he starts his selection
he memorizes the characteristics of each rock then simulates their stacking
he's drawing up a blueprint in his head.
then i'll think of which to put next to it when i've selected all the stones about 60 or 70 percent of my work
is done then i only need to stack them.
Shiga Pref.
（this town near kyoto was once the base of castle wall craftsmen called anoshu
[Music] awata was raised here
feel at home with these walls around i grew up with them）
well a typical example of our stone layout is a composition with big stones
like this one and medium small ones
we arrange them in an even balanced way this is the signature of anushu style.
（the young awata loved following his grandfather makizo around his work sites
[Music] when he was 15 he became an apprentice）
wherever they want to go he said that very often
he also said there are different types of people big people small people all kinds of
people make up the world
building a stone wall is exactly the same you see a harmony there big rocks
small rocks every rock has a role not one of them is useless or worthless
i think it's exactly the same in the world.
（i want to show what i've got
bye american mason kyle schlagenhof has
volunteered to work with hawata okay
the two met when awata and his father junji were invited to a workshop in california
their techniques captivated him）
the most surprising thing to me was um suminori-san and junji-san's um
ability to understand this the space the stone filled and how they
could pick a stone from out in the yard and bring it over the end it would fit!
wow that's amazing!
（ because me i pull out the measuring tape
and then like when there's a little funny piece i just cut that off [Laughter]）
Sumoto Castle
Hyogo Pref.
My grandfather worked on this wall.
The important thing is to always do your best.
Okay.
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